Labyrinth Busker Journal
features: THE APACHE JOHN BAND |
www.buskerbrian.com |
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Band news Fenlands movie project Video: Apache John on Youtube Video: Apache John Live (Accoustic Club, Bishop's Stortford) About Apache John About Jan About Houseboat Andi About Joss Stick Julia from the Blackfoot tribe GIG GUIDE UPCOMING GIGS Gig reviews Song reviews Apache John Blog Former members Links Labyrinth Busker Journal Yahoo Media Player NEWS!!
Apache John Band at Sonic Rock Solstice 2012 |
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"Gaoler, bring me water"
performed by the Apache John Band: Watch it here. |
GIG GUIDE (forthcoming gigs for Apache John) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Biography: Apache
John Band During 2005 Apache John, his wife Amazon Jan and his sister Effie, began to work on a musical project to present to The Waltham Abbey folk Club during Halloween that year. Joined by Effie's husband Buzz the Poet and John's long time friend "Wailing Mike Forbes", they all set about to stage a short musical based on the Thomas Hardy poem/playlet "Friends Beyond." The performance of this never came to materialise as nearly everybody involved was struck down by a virulent bout of influenza. However, undaunted by this, they continued to rehearse self penned songs and poetry set to music which they staged at Waltham Abbey. However, Buzz suffered a major illness during the early months of 2006 and both he and Effie pulled out of the project which had the working title "The Bracken Brakes." John, Jan and Mike continued rehearsing under the 'work in progress' name, "Le Verse Cafe." A collective decision was made shortly afterwards that John would 'front' the band. It was decided that John, who was nicknamed 'Apache' at his place of work, should use this as a banner. From then on, the project became known collectively as "Apache John". Apache John made their first stage appearance at The Cramphorn Theatre, Chelmsford, in December 2006, to an audience of approximately 180 people and played "Coconut Licqueur", "Canada Dry" and "The Big Issue". 2007 was a busy period with lots of assignments and the band gained much in the way of experience and positive acclamation. Wailing Mike Forbes left the band in January 2008 and was replaced for a short while by Keef (Scalpy) Jackman` who comperes The Acoustic Club in Bishop's Stortford, Herts. Keef left the band in March 2008 for reasons of overcomittment. Houseboat Andi and Joss-Stick Julia from the Blackfoot Tribe from the isolated wilds of Essex have since joined the band. Andi's main instrument is electro ukulele, whilst Joss-Stick Julia from the Blackfoot Tribe contributes with pipes, percussion and backing vocals. All of this is a welcome innovation which complements John's guitar driven husky voiced songs and Jan's rhythmic tubano drum. Band news Video: Apache John Live (Accoustic Club, Bishop's Stortford) About Apache John About Jan About Houseboat Andi About Joss Stick Julia from the Blackfoot tribe Video: "I bowed down to the Green Man" Video: Coconut Liqueur GIG GUIDE (forthcoming gigs for Apache John) Gig reviews Song reviews Apache John Blog Former members Links Labyrinth Busker Journal |
Apache John Amazon Jan Houseboat Andi Joss-stick Julia |
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VIDEO:
APACHE
JOHN
LIVE
AT
THE
ACCOUSTIC
CLUB (3 songs) |
Top |
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APACHE
JOHN
NEWS: NEW LINE UP Unfortunately, Keef (Scalpy) has had to pull out of the band due to over-commitments. He fitted in very well for the short time he was with us and shall be sorely missed. In the meantime, we are rehearsing with close friends Andi (on ukelele and guitar) and Julia (on flutes and percussion). Both myself and Jan feel right choices have been made and are very confident that we shall be ready to play The Hollybush at Enfield on Thursday May 1st, if not somewhere sooner. Top About Apache John: I spent a significant percentage of my childhood and teens at my Grandparents' Croft on The Isle of Skye. Much of the images presented in my songs originate from those prolonged Summer visits to the Inner Hebrides. My interest in music began in 1962, when as a boy, I heard the song 'Oh My Darling Clementine' sung at a Boy Scout Campfire. The combination of melody and lyrics moved me to my very soul. I was determined from then on to use melody as a vehicle for story stelling. I was a young boy then and did not understand that 'Clementine' was meant to be tongue-in-cheek. I took it very seriously at the time. A few weeks later I was given a couple of 78 RPM Lonnie Donegan singles by someone who felt pity on a young boy who had no records to listen to other than his parents 'Scotland A Go-Go' LP. The Lonnie Donegan singles changed the world for me! Tom Dooley/Rock 'O' My Soul/ The Grand Coolie Dam & Nobody Loves Like An Irish Man were nearly all stories put to melody! My parents bought me an old jazz guitar with f-holes and I started to learn a few chords. The first song I wrote was called 'Auntie Nell Made A Smell'. Three years later in 1965 I was watching a TV pop program called 'Ready Steady Go' and came across a young folk singer called Donovan who I perceived to be performing the same type of songs as Lonnie Donegan. I was totally blown away because this was my type of music! I quickly found out about Dylan and became very excited when I came across songs such as 'With God On our Side' and 'Mr Tambourineman' and as a consequence of this, I deluded myself into thinking that had I been older these would have been the very songs I'd have written myself! It was so unfair being so young! Anyway, that's how it felt at the time! In 1973 I performed one of my own songs on a London Broadcasting Radio Show hosted by Jimmy Saville. As well as writing more songs than I can perhaps remember, I fronted The G String Skiffle Band in the Eighties (the brainchild of fellow Song Writer, Len Abraham) and we played extensively through The East Midlands and quite regularily at the coalmining clubs in places such as Mansfield. The Band was televised performing live with Noddy Holder on London Weekend Television in 1986. Later that year the BBC featured the band performing another of my songs on the streets of London. Today, with the help of my wife 'Amazon Jan', and the musicianship of 'Andi and Julia', the new members of our band, we aspire to bring an acoustic, raw sound, reflecting our musical, emotional and social history. |
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About Jan Jan’s childhood manor was Lower Edmonton in North London and she grew up a ‘chick’ of The Beat Generation, who haunted the jazz clubs and bohemian bars. She was in the enviable position, in those days, to have seen the evolution of embryonic bands such as The Rolling Stones and watch them live on stage. Her interest in music is eclectic and as well as writing powerful, sensitive songs, which she sometimes fronts in the band, she provides miscellaneous percussion including congita and tubano drums. |
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About
Houseboat
Andi Andi was born in the Sixties in a suburb of Leeds, his family moved to the North East coast when he was 18 months old, then to the South East aged 14. In 1998, circumstances demanded that he find a cheap way to live, so he bought a narrow boat. His pride and joy (at the time) was a 45 footer, moored on the River Lea. He was there for just under 5 years, and loved every minute of being a ‘River Gipsy’. He met Julia, who was to become his wife in 2002. They moved to rural North West Essex the following year and set up the ‘Music Room’; a converted bedroom. He was introduced to the variety of acoustic music by Julia, and her family. Having played guitar since the age of 8, his music became more sedate, using such tribal instruments as the ‘Gopi Chanter’ and ’Dulcimer’, as well as hand drums and djembe. This formed a good grounding for playing the ukulele, and being able to ‘feel’ the instrument. |
About Joss Stick
Julia from the Blackfoot Tribe I think this is where I'm supposed to write a bit about me, and about the band. Well, I was born in Sowf London town, but have a varied ancestry, predominantly Celtic (Valleys of south Wales from my mother's side, Ireland and the Devon/Cornwall border on my father's side (have traced this back as far as the 12th century) with a smattering of Native American Blackfoot on my mother's side as well. I'm Pagan, and follow the Celtic Shamanic path, honouring the land, creatures, ancestors, and Gods and Goddesses that are a living part of the land of my birth. I have a passion for shamanic drumming, and have quite a collection of wonderful drums, including some very special and dear to me. These drums are named, and include The Unicorn drum, (my first ever proper drum which is actually a Bodhran, and was hand decorated for me with a Celtic Unicorn design), Pony, (found lying forlorn and unloved on the floor of an antique market), and Buffalo, (Octagonal Native American frame drum as used by the Blackfoot nation). The Unicorn drum is a very fickle drum, a bit worn and battered now, and only likes to come out and play on a hot sunny day. Any other time, you can forget it!! Buffalo is so named for it's size, strength, and powerful booming voice. And little Pony is what I'd describe as the good old reliable cart horse.... tatty and worn, unremarkable to look at, and without the great voices of many of it's companions, but little Pony is the most practical, reliable, faithful drum I possess. . I'm passionate about animals, and animal welfare, and apart from our own ten cats and two dogs I am the Co-Ordinator and Welfare Officer for our local branch of Cats Protection. I have been involved in rescue for 11 years now, a work that was triggered by a very special cat called Dylan, but that's another story! Started my rescue work while still living in London, and was known as one to be kept "On The Streets"!! I was once offered a job tracking and rescuing wild cats at a sanctuary in Belize, which would've been a terrific opportunity, but with so many animals of my own I didn't think it fair on them to fly them all that way. All our own animals are rescued, and I try to help wherever I can outside of Cats Protection, adding my voice for the voiceless wherever needed. Naturally, I'm vegetarian!! We have two dogs, Harry and Ellie. Harry came from a rescue centre in Kent. He's a great character with a bark that sounds like he's on 40 Woodbines a day. Ellie came from a dog pound in Huddersfield and was rescued by the wonderful Doris Banham Rescue when her 7 days were up and she was due to be put to sleep. Ellie is.., well, Ellie's huge!!! But also extremely soppy and gentle. My musical interests are varied, from Rock and Blues to folk, psychedelic, and New Age. Early influences included Led Zeppelin, Janis Joplin, The Doors, then later on, Gong, Hawkwind, and many bands from the Free Festival scene of the '80s, and in recent years bands and artists with something to say, such as Seize The Day, Carolyn Hillier and Nigel Shaw, (Thanks to Nigel for great advice on whistles), and of course, the fantastic rockin' Maria Daines, the one with the voice for the voiceless!!!!! I met my husband, Andi, when he was a "River Gypsy", living on his narrowboat, "Samandi Freedom". We got married in 2005, and we now live in the country with stepson Sam and our animals. I dabble in artwork and crafts from time to time, and make such things as Shamanic drum beaters, Goddess sculptures, incenses and oils, and mobiles from natural things I find while out and about in the woods and fields. Andi and I joined the band earlier this year, and love being a a part of it! My role within the band is possibly the most varied. I mainly play the whistle, but also provide additional vocals, and play various percussion, be it rain stick, rattle, bells or drum! I also now play the Kiowa, a Native American flute which I hope to introduce within the band soon. Apache John and Amazon Jan are not just great musicians but wonderful, warm, lovely people who I'm proud to call friends. John has a rare gift with his songwriting, and Jan is a veritable powerhouse on her drum, the Tubano. To my mind, The Apache John Band is a unique fusion of blues, folk and late 60's psychadelia. Sometimes theatrical, sometimes dark and moody, sometimes amusing, a band that carries the spirit of the festival with songs and music that can be sung and played around a camp fire as easily as on any stage. |
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The-Muzic
Song Reviews: 1) Kris Hoddle (THe-Muzic) on "The Sunshine Boy" posted 18/4/06 Acoustic offering with some raw bluesy harp that can't help but bring up images of Dylan and Neil Young. Think the voice probably lies somewhere in between, but carries off a nice tune well. Could see this performed in a smokey (I WISH!!) pub somewhere, but then I could also see it on a glorious day at a huge folk festival with the crowd swaying and singing along. Kind of Led Zep feel at times, which is always nice to hear. Top 2) "The Grey Lady" The-Muzic piedpiperrecords, posted 18/04/08 23:46:40 A very interesting mix of americana and folk. Definitely an early Dylan and Leonard Cohen influence here. Obviously rough recordings, with some production this would be an accessible tune. kris_hoddle, posted 16/04/08 14:34:41 Some more superbly played folk that lets a great little tune breath with much life and vibrancy. Think this is my favourite Apache tune so far, it just sounds classic. Dunno if it is an old folk standard reworked, but sounds like it should be. Great tune, and a cool little story that really brightened up my Wednesday afternoon. I think the Dylan comparisons are inevitable with this kind of stuff, just like a classic rock band is going to be compared to AC/DC or Guns N Roses, but for me this tune really does sound British, and reminds me of any number of classic folk stuff from this fair Island. I bet this goes down really well live and I think this artist deserves to be playing this to a very packed room too. Great stuff. talulaspace, posted 11/04/08 22:04:52 I like the intro to The Grey Lady. Great lead vocals, and instrumentals. A soothing melody with good lyrics. 3) "Hot Skiffle" The-Muzic sparkster, posted 13/04/08 03:03:58 I found this quite enjoyable at first and it's a little different from most tracks of this genre, though still retains that authenttic country sound. Good rhythm and a fairly well performed vocal melody. 4) "The Secret Place" The-Muzic lovelaura1, posted 10/04/08 18:16:22 The instruments used in this song sound beautiful. The song grew on me the more I listened to it. Enjoyable if you like acoustic music. GreenMe, posted 24/04/08 17:46:47 this song rocks i love acousitc songs =] and acoustic always goes with flowers its a hippie thing id deffo buy this song =] get it released soon lol ghosty, posted 27/04/08 15:53:44 the introduction of the guitar makes you feel very relaxed and pay more attention to the lyrics due to the way the guitar expresses the song. yea i think this tune would appeal to easy listeners 5) "Snakebite Burt" The-Muzic posted 25/03/08 15:03:34 This is an artist I adore. Folk music stripped to the bare ****. 'John gives us a glimpse of world either he has created or had lived himself. Either way, the whole composition takes you away to where ever the "Apache" takes you. I feel safe inside whenever i hear good folk music. kris_hoddle, posted 21/04/08 13:47:34 Don't think I've reviewed this one by Apache John. Apart from the Dylan-esque harp this sounds very English, which is great. ..... I like this artist a lot... 6) "Wot Use To Me Is Your Love?" The-Muzic kev mantle, posted 17/04/08 09:00:44 really enjoyed the song, quirky and funny although i expect some bitterness in the lyrics? Backed by a good blues riff and some husky vocals and of coure fine bluesy harmonica!!! another slice of life from apache john! kris_hoddle, posted 22/04/08 14:07:04 Catchy little acoustic tune that lives up to the high expectations seeing this artist's name gives rise to. The vibe is a little Arlo Guthrie crossed with some class British folk, even protest stuff like Billy Bragg, and a great vocal delivery makes this another The-Muzic hit for Apache John. Didn't really like stuff like this before I heard Apache John. I'd love to see him getting signed from here!!! femmina, posted 11/04/08 04:33:00 Nice mellow blues song with the harmonica, but I like how it's not all depressing. It seems like the song's more hopeful, which is a refreshing vibe. 7) Coconut Licqueur The-Muzic ghosty, posted 14/04/08 13:30:01 I LIKE THE VARIETY OF INSTRUMENTALS ON THIS TRACK, THIS TUNE I FEEL IS VERY NICELY PRESENTED I THINK CERTAIN PEOPLE WILL LIKE THIS TUNE. kris_hoddle, posted 13/04/08 04:46:41 Voice that sounds somewhere between Dylan and Rod Stewart.....with work and a great production could be an interesting artist to see with a record deal nowadays. talulaspace, posted 10/04/08 22:15:15 This is a nice acoustic song..... Great melody with nice harmonica playing. 8) Streets of Old Highway the-muzic Kigga: posted 21/06/08 11:24:37 Great song by a great singer,songwriter close your eyes and you could be back in the era of the young bob dylan and the summer of love! Very well structured and fantastic lyrics ....great stuff!!! " skulldragon3200, posted 02/09/08 18:03:44 A pretty nice sounding song. I especially loved the guitar work and I really loved to listen to that harmonica playing as that is a rare listen in music now a days. I really loved the song and would love to hear your full album. 9) Out in the wilds the-muzic sparkster, posted 10/09/08 23:31:52 This seems to have a very strong British feel and style about it, which I love. The highlight of the track has to the vocals and the rough quality of the singers voice, which I was taken aback by pretty much straight away. I don't think this is particularly original or that different but it has a great melodic, memorable melody which is pretty catchy and the song grew on me a lot as it went on. 10) The Merchant "Unsigned Radio Show",Brighton, posted 05/08/08 10:08:19 Great new song man. Any chance you could get down for a live session on the show? Would really love to have you on. Top |
RECENT GIGS AND
REVIEWS: 200 Club The Hollybush, 200 Lancaster Rd, Enfield EN2 0JH Cost : £2 19.45 - 1st May, 2008 Write a review or give feedback MySpace Blog from 200 Club, Enfield, Posted May 3rd 2008; and response from Richard Staines:- Apache John's new line up works really well, adding uke and penny whistle give the songs an extra dimension without losing the laid back sparse charm they undoubtedly posses. Richard Staines "I agree with that. The uke softens the sound to Apache John and their "Sunshine Boy" was amazing - very atmospheric and psychedelic even." 10th Stortford Music Festival (3rd/4th May) Stansted Airport 14.00 - 4th May, 2008 18 May 2008, 20:00 - The Crown & Treaty, Uxbridge, Middx 90 Oxford Road, Uxbridge, Middlesex Uxbridge,, London and South East UB8 1LU UK Description:THE UNSIGNED TREATY SESSIONS, hosted by Michelle Nicholls. Acoustic evening with two featured acts (including Apache John) & open mike. 31 May 2008, 20:00 - The Plough Inn, Walthamstow 173 Wood Street, Walthamstow, London London, London and South East E17 UK Description:All day pub charity event. Walthamstow Folk Club hosting a ’Come All Ye..’ in the garden. 2pm -6.30pm The Acoustic Club Bishop's Stortford 20.45 - 5th June, 2008 Chingford Festival Chingford 12.00 - 28th June, 2008 The Last Monday Club London 20.00 - 30th June, 2008 The Pumphouse Theatre and Arts Centre Watford 20.00 - 15th July, 2008 Write a review or give feedback The Acoustic Club The Half Moon, North Street Bishop's Stortford Thurs 14th Aug 2008, On Stage at 9.50pm St Annes Castle Chelmsford 11.00 - 24th August, 2008 Hatfield Forest
(Woodfest) Festival of Woodcraft
Takeley, (Near Stansted Airport) Essex, Saturday 6th Sept, 2008 On Stage at 1pm Small Intimate weekend festival set in the heart of the Forest Fun for all the family and chidlren's activities including wood modeling and face painting. 10am to 5pm (arrive anytime) Free entry (small charge for some activities). Further details from: 01279 870678 Harrow Museum and Heritage Centre Harrow 12.30 - 23rd November, 2008 Blog:- The Durell Arms, Fulham, London, SW6 5SB "We were
made very welcome last Sunday (27th July) by Elliot Shand (Mouth Piece Promotions) and played a 30 minute set to a very responsive audience in an enclave within the setting of this neo classical pub with its sturdy tables and leather loungers. The soundman (Mike) was excellent in his care and attention to detail. We would apologize for not accrediting him at the end of our set." Radio Hertbeat 106.7 and 106.9 FM "Unearthed show" Stevenage 21.00 - 4th August, 2008 The Pumphouse Theatre and Arts Centre Watford Saturday 28/02/09 7:30 PM GIG GUIDE top
Former members: Buzz the poet Keef (scalpy) Jackman Wailing Mike Forbes Links: Apache john at Myspace http://lemonrock.com/apachejohn www.buskerbrian.com Houseboat Andi and Joss-Stick Julia from the Blackfoot Tribe at Myspace http://indiestore.7digital.com/apachejohn |
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THE
APACHE
JOHN
BLOG Friends Beyond by Thomas Hardy Busker Brian & The East suffolk Coast 1973 Busker Brian & The Mystery Man |
To comment on any of these blogs
or any other subject on this page: The Apache John Blog or Visit Apache John at Myspace |
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William Dewy, Tranter Teuben,
Farmer Ledlow late at plough,
Robert's kin, and John's, and Ned's, And the Squire and Lady Susan, lie in Mellstock churchyard now! "Gone," I call them, gone for
good, that group of local hearts and heads;
Yet at mothy curfew-tide, And at midnight when the noon-heat breathes it back from walls and leads, They've a way of whispering to
me--fellow-wight who yet abide--
In the muted measured note Of a ripple under archways, or a lone cave's stillicide: "We have triumphed: this
achievement turns the bane to antidote,
Unsuccesses to success, Many thought-worn eves and morrows to a morrow free of thought. "No more need we corn and
clothing, feel of old terrestial stress:
Chill detraction stirs no sigh; Fear of death has even bygone us: death gave all that we possess." W.D.--"Ye mid burn the old
bass-viol that I set such value by."
Squire.--"You may hold the manse in fee, You may wed my spouse, may let my children's memory of me die." Lady S.--"You may have my rich
brocades, my laces; take each household key;
Ransack coffer, desk, bureau; Quiz the few poor treasures hid there, con the letters kept by me." Far.--"Ye mid zell my favourite
heifer, ye mid let the charlock grow,
Foul the grinterns, give up thrift." Far. Wife.--"If ye break my best blue china, children, I shan't care or ho." All.--"We've no wish to hear the
tidings, how the people's fortunes shift;
What your daily doings are; Who are wedded, born, divided; if your lives beat slow or swift. "Curious not the least are we if
our intents you make or mar,
If you quire to our old tune, If the City stage still passes, if the weirs still roar afar." --Thus, with very gods'
composure, freed those crosses late and soon
Which, in life, the Trine allow (Why, none witteth), and ignoring all that haps beneath the moon, William Dewy, Tranter Reuben,
Farmer Ledlow late at plough,
Robert's kin, and John's, and Ned's And the Squire and Lady Susan, murmur mildly to me now THOMAS HARDY To comment on any of these blogs or any other subject on this page: The Apache John Blog or Visit Apache John at Myspace |
Busker Brian & The East
suffolk Coast 1973
Busker Brian May Be Located On http://www.buskerbrian.com
I'm not sure when I first met Brian. It was almost as if
he'd been there forever. He was a year or so behind me at school. So I
was aware of him then. When I was in my late teens and early twenties
we used to hang around The Star Inn in Bishop's Stortford, the market
town on the Hertfordshire - Essex border where we lived. He kind of
became family for quite a long while when he became the boyfriend
of my sister Effie. I remember during that time in the early
Seventies when eleven of us (including Brian, Effie and myself) set off
in a mini bus one February morning to camp out on the cliffs of Dunwich
in suffolk. We took it in shifts to go to the pub that evening so that
people could 'watch' the mini-bus and equipment, as the locals seemed a
little bit hostile at the arrival of a bunch of lively hippies upon
their peaceful shores. Later, suitably drunk and endeavouring to pitch
the tent, we found that we'd forgotten to take the poles! Some of us
slept in the mini-bus whilst others (including myself) slept out on the
cliff. I awoke the next morning covered in frost and the handle-bar
moutache I sported (which was fashionable at the time) felt like it
could be snapped off as it was frozen solid. Later, when we went down
onto the beach and looked up to the cliffs we shitted ourselves to
see the mini-bus parked so precariously upon a jutting
overhang about thirty feet or so above the endless Eastern sand and
shingle. I have a lot more memories involving Busker Brian, both before
1975 when I left Bishop's Stortford to go and live in Leicester and
later, when I returned in 1989. These I'll write down in the near
future.
Buskerbrian comment: That
night
in
Dunwich
is
something
I'll never forget. It's one of those
things that spring out as a highlight of your life, because it was so
crazy. What were a group of late teens and early twenties headcases
doing by going to camp at an exposed beach on the coldest night of the
year? It was a beach where, a mile or so out, an entire village had
been swallowed by the sea. It was said that you could hear the faint
bells of the swallowed church ring beneath the waves at times when
conditions were right. We preferred to believe the beach was haunted.
It made the experience more compelling. It was a glowing example of a
communal spirit, cemented by the guitar and voice of John and the
practical efforts of those in the group who had readied provisions and
the means to cook them. top I searched the net for an old friend recently and came across his site http://www.buskerbrian.com It was interesting to read about his life and times as a busker travelling in Europe and the U.S.A. It was also bitter-sweet to read and see old photographs of half forgotten friends from many years ago. I also came across a song that Brian and I wrote together in
the summer of 1989. I had suddenly stopped drinking alcohol after
twenty years or so of over imbibing and I was in my fourth week into
sobriety; I was shaving the stubble off my face and wiping the misting
mirror with a towel, when I noticed my reflection. As I stared at the
image looking back at me I realised that this person's mental and
spiritual growth had been stunted for over two decades because the
booze had blocked out and dulled every emotion. I realised then that to
all intents and purposes that I was still a teenager living in the body
of a man. I just didn't have a clue about anything really - as to what
really constituted my political, religious or spiritual beliefs; were
the issues I gave lip service to - were they my own beliefs or were
they simply the echoes of indoctrination and conditioning handed down
from my parents and teachers at school.?
I looked in that mirror and realised I was staring at a
mystery man!
That evening I wrote down the words to the song and a few
weeks later Busker Brian laid down a melody.
I lost contact with Brian for a couple of years but people
told me from time to time they'd seen and heard him play the song at
various clubs.
And then one day Brian posted me a demo of the song by
unknown session musicians from Port Leith in Dublin. This version of
Mystery Man has apparently been distributed internationally on a
Country & Western Compilation Album , but I've yet to confirm the
accuracy of this statement.
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