Brian Songs for Rachel

Labyrinth Busker Journal - Brian Robert Pearce
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Labyrinth Busker Journal

SECTARIAN  Words/music: B.Pearce (performed by BRIM)
A two sentence BBC news report in 1991 (approx) inspired this song. A man, with his five year old daughter perched on his knee, was sitting by a Xmas tree when gunmen burst in and shot him. To think that poor daughter would have to grow up with that experience etched in her head. I have often wept singing this song... unable to continue.
 
GLAD I'M NOT YOU  Words/music: B.Pearce
The 'soul search' was in full flow by the Autumn of 1998. To find out how important someone is to you, there needs to be a sense of betrayal. This song captures the sense of betrayal.
 
POVERTY ROW  Words/music: B.Pearce (performed by BRIM)
Written in the '80s this song angers at the desolation wrought by Margaret Thatcher and her cronies on the working classes. Britain has never recovered from this - and the 'subclass' remain traumatised and oppressed. The brilliant creativity that saw Britain shine culturally in the '60s and '70s has been shorn of 'subclass' contribution.
 
LITTLE BLACK SHEEP  Words/music: B.Pearce
Another product from the New Clear Winter episode. By accepting that White Sheep is the system and the way society conforms, it becomes evident that Black Sheep are those who are dysfunctional within this system. But the Black Sheep is further clarified as people who have something artistically unique inside them that needs to get out. It is the Black Sheep who have the keys to human progress, because the White Sheep tend to follow each other's arse and the system is all.
 
ATALANTA  Words/music: B.Pearce   (performed live on Radio Centraal)
In the Autumn of 1999, it seemed my relationship with my duo partner had moved from lovers to sharers of a project. Her commitment to the project could be read as " how  successful it is in relation to other projects". So I could see that my persona had shifted from Orpheus to Helen of Troy.... and had moved on to Atalanta. In all cases, most of the people who surrounded me had similar personae. This cold persona (Atalanta) gradually led me out of the Labyrinth.
 
BUSKER WALKING  Words/music: B.Pearce
It was February, 1996 - and I knew I would be on the road from my base in Antwerp for most of the coming months. In fact, I would spend the next two years based mainly in Berne, Switzerland. But I didn't know what to expect, so I wrote this song to anticipate my coming experience.... and how others may view me.

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DO YOU KNOW WHAT IT'S LIKE? Words/music: B.Pearce
Hitching south to Bern from Antwerp. I had two nights without sleep and no money as I sought to hitch from a motorway service station near Basle. The service station was closing for the night. The place was becoming deserted and I was down physically and feeling like I had reached the end of my life and luck. It looked bleak, until a group of young Albanians came to my rescue by agreeing to give me a lift to Bern. My Swiss girlfriend, seemingly feeling my distress on the 'soul radar', responded to a request from a guy for a light with, "Do you know what it's like to be hungry and thirsty without any money at all?"
Maybe the guy replied, "No! But I know what it's like to have no light for my cigarette."
 
FAIRY TALES ARE REAL Words/music: B.Pearce
Written in January, 1995, this song is extremely romantic and seeks to capture the enrapturement of intense soul love. I feel very sorry for anyone who has not experienced the feelings within this song.
 
DON'T ASK ME  Words/music: B.Pearce
Being 'Helen of troy' and happily swimming within the world of such personae is a wonderful experience, but there comes a time when a healthy choice is required. The curious way I dealt with emotional attachments caused confusion not only in others, but within me. So why not take the piss out of myself with a song?
 
YOUR EYES  Words/music: B.Pearce
The Summer of 1996 was all about eyes and the way the soul speaks through them.
In September, Kat and I shared eyes that spoke in volumes, but neither of us could understand outwardly what they were saying. The soul has its own agenda - and it hides it well.

HAPPY IN THIS TOWN  Words/music: B.Pearce
Inspired by a 'happy' radio interview in 1998. My duo partner for the show, Philip, was about to play one of his songs.
"This song is about a friend of mine who committed suicide."
"Oh... so it's a sad song?" frowned the presenter.
"No. No... I'm glad he's dead!"
That great riposte from Philip led me to look at 'happy' in the Antwerp bars and nail down the background discontent into a song.

 
ORPHEUS  Words/music: B.Pearce
This song is a product of the New Clear Winter phase of the journal. My daughter was inaccessible in Ireland; my sister had Leukaemia in England; I was faced by difficult tasks and aims in Belgium and Switzerland. A news report on Radon Gas claimed that its accumulation in certain households can lead to lung cancer for its occupants. So imagining an agoraphobic frightened to leave their house, yet being fatally exposed to excessive ammounts of Radon Gas,  was enough of an image to catalyse this song based on the Orpheus legend. A philosophy is shaped.
 
ONLY IN MY DREAMS  Words/music: B.Pearce
My first trip of 1996 to Switzerland produced very little, but it did produce this song. I had a dream where my first 'true love' and I were re-united once more. The curious thing about this is the age of my 'true love'. In the dream she was 17 - and her friends were equally as young. In reality, they would all be pushing 40 in 1996.
 
TIME TO PLAY  Words/music: B.Pearce
What is remarkable about this song is its stunning prescience. It was written in the '80s and predicted future situations. It is not the only song I have written that has done this. The importance of visualisation in song writing is thus displayed, as a 'road untravelled' is faced with some form of mental preparation.

Missing Rachel

This is Brian...
missing Rachel...
Underlined
THE FLOWER AND THE BURNING

 

On Neuchatel beach ( Switzerland) - in 1996 ( July) - I aid Philip as he seeks to earn the money he needs to buy a guitar ( the Sword in the Stone). It was very much like Merlin to an impatient Prince Arthur - while winging thoughts to the distant shores of Ireland and my 5 year old daughter... seemingly ever more unreachable.
Winging onward, my thoughts moved to my sister dying of Leukaemia in England...and my need to be in Antwerp soon to meet my brother and take a blood test to see whether my blood could aid her.
Amongst several other stories I raced against time knowing that I could not cheat Fate. Because the Labyrinth had to be navigated - and strangely, time WILL wait for a busker who seeks to walk honourably. But first, the busker may need to do things to aid others before he can aid his own aims.
Gradually, the words came for a new song:

THE EXILE (Brian Pearce)
July, 1996 - Neuchatel

IT'S SAD TO KNOW THAT YOU MUST SURELY WORRY
BELIEVING I DON'T CARE FOR YOU AT ALL
IT TWISTS MY HEART BUT FATE WON'T LET ME HURRY
AND EVERY HASTY STEP LEADS TO A FALL

THERE ARE LAKES AND SEAS AND MOUNTAINS
I MUST CROSS TO REACH YOUR SIDE
THERE IS NO BOAT THAT CAN TAKE ME
NOR A HORSE THAT I CAN RIDE
BUT IF I CAN BUILD AN ARMY
AND INSTILL IN IT SOME PRIDE
A FLEET OF SHIPS WILL TAKE THE EARLY TIDE

THE EXILE SEES THE SUN RISE FROM A ROCKY BEACH
AND THINKS ABOUT THE ONE HE LEFT BEHIND
WILL HE EVER MAKE IT BACK WITHIN HER REACH
HE HAS FAITH, BUT STILL HE WORRIES WHAT HE'LL FIND

IN A FAR AND DISTANT LAND
HE HELPS A PRINCE PROTECT HIS RIGHT
WHILE HE DREAMS, BY DAY, OF VICTORY
DREAMS OF LOVE INVADE THE NIGHT
THE EXILE NEEDS TO BE AT HAND
IN A WAR THE PRINCE MUST FIGHT
A VESTED KING MAY HELP HIM TO HER SIDE

PRINCES AND PRINCESSES WAIT ON HIS RETURN
A TALISMAN, OR KEY, THEY HOPE HE'LL FIND
THEY KNOW THAT HIS PATH MUST TWIST AND CRUELLY TURN
HE KNOWS HE'D NEVER CAST THEIR NEED ASIDE

THERE ARE MONSTERS, TRAPS AND ARMIES
THAT WILL MAKE HIM FIGHT OR HIDE
THERE ARE FEW FRIENDS WHO CAN HELP HIM
THROUGH THE STORM HE SEEKS TO RIDE
BUT IF HE CAN BUILD AN ARMY
AND INSTILL IT WITH SOME PRIDE
A FLEET OF SHIPS WILL TAKE THE EARLY TIDE

A further song emerges. It pursues a similar theme, but is musically very different:
Fairy Tales are Real

Fairy Tales are Real (Brian Pearce)

Written in January, 1995, this song is extremely romantic and seeks to capture the enrapturement of intense soul love. I feel very sorry for anyone who has not experienced the feelings within this song.


THE LABYRINTH (Brian Pearce)

A musty wall
A choice to travel left or right
Is this a cave
Or limitations on my life?
I walked so far
And I have failed to find the end
My liberty
Could be around this coming bend
I see you there
Your image floats before my eyes
I see you smile
And then my eyes begin to cry
I try to touch
The hand you offer me
But you're not there
The Labyrinth is taunting me

The Labyrinth........ is just confusion of the mind
You Know Its End......Is something you can find with time
And So I Walk......With you within my heart
And when we meet
I promise we will never part

Another task......Another monster I must kill
The Labyrinth....Ensures that I must do its will
It helps me on....Or tries to snare me once again
And every path..Can be both different and the same
And if the day.....Should come that I have my release
I'll hope to see....You standing, waiting for me, pleased
I'll never take......The Labyrinth once more
Because it's you......I am searching for

The Labyrinth........ is just confusion of the mind
You Know Its End......Is something you can find with time
And So I Walk......With you within my heart
And when we meet
I promise we will never part

Help You through the day

Help You through the day (Brian Pearce)
The Death of Lone Wolf
Bern,'98
A story of souls blending and colliding anarchistically in a search for belief. 

Tale of Uptown Suzy
Things we must do
Encompassing the period between 17/01/96 and 06/02/96
in Antwerp
The LBJ consists of approx 55 hand written books and
documents Brian's path as he busks his way to the Summer
of 2000.
Some of the featured artists on www.buskerbrian.com
LEDDRAIN
Leddrain is the work of Philip Seibel, a singer/songwriter with an ability to evolve many different and imaginative styles on the guitar. I first met him when I was busking Switzerland in the Summer of 1996. He was around 16 then and we exchanged our self penned songs on my guitar. Explore now
APACHE JOHN BAND
Andi and Julia from the isolated wilds of Essex have since joined the band. Andi's main instrument is electro ukulele, whilst Julia contributes with pipes, percussion and backing vocals. All of this is a welcome innovation which complements John's guitar driven husky voiced songs and Jan's rhythmic tubano drum.  Read on
LOST WANDERING BLUES AND JAZZ BAND
"St Maurice? Hell, man, I thought you said St Moritz!"
Like a zombie I made my way to the restaurant terrace; the raw garlic I'd eaten (on Ken Post's advice) the night before had clearly helped, but my nose and chest remained musty...
"St Maurice!?! Where the damn is that now?"
Of course, I recognised the voice as it sank through. It was Danny, the loveable, black father of Swiss buskers. You only have to see him to like him. You only have to say 'hello' and it seems you've been friends all your life.   Read on
TIGHTROPE - A MUSICAL FROM KEN POST
Tightrope is a ground breaking look at how artists have struggled to present their art through all adversity - and how their efforts have adjusted attitudes for good or bad as we rolled into a new millenium. A true artist veers between moral, immoral and amoral and seeks his own truth. Such a thing is not always welcomed by society, but often society is challenged and impelled to recognise the value of the artist's idea of truth.  Read on

Mentoring - autism and hurricanes

Autism would render him as a loner, an outsider. There will always be parts of him the world will never see, nor understand.
So, back to the question:
Do you think Bob Dylan is mildly autistic?

Missing Link?

"Humans" invade Earth from Veritas, a broken fragment from their former world.
Evolution by ingestion of 'human' microbes released amongst the cosmic dust
and fragments of two asteroids colliding in space 8.2 million years ago?


Explosive Time

It seems clear to me that the implication of this is that timespeed is also the measure of the activity we term as 'explosion'. Our bodies and the microorganisms that surround us are reliant on explosions occurring at a minimum and maximum rate of time speed.
In addition, all forces and gravitational effects within the universe are caused by this effect of timespeed. Life in the universe can probably be found everywhere.

Mentoring - crusades and psychology

The knowledge of her guardians and her former life saw her face the man down and she only fled into quaking once she was home and safe.

Perhaps you could ask the child how this dreamscape could be used beneficially within his life. It may prepare him for the moment when such knowledge will save his life.

Plato and Socrates debate Beauty

A fly would find our excrement a beautiful thing. The soil we exist on is billions of years of excrement. There is rock that is formed by countless skeletons. Grass is mould. But the individual atoms that form this and everything remain beautiful and untouched.